It takes a month to get your SF City Hall wedding photos
A month? Why does it take a month?
Shooting a wedding of any kind – City Hall weddings included! – is a big undertaking and something that no photographer takes lightly.
This post was created in tandem with How are my wedding images created. That post provides insight into the actual process from cards of RAW files to the finished selection of images that form your San Francisco City Hall wedding gallery.
Every business works differently so this is intended to be a more general introduction to understanding why it isn’t exactly an instantaneous turnaround for anyone that’s curious!
We’re busy with other weddings and running our businesses
Even though editing is a HUGE part of our jobs, it has to fit into the rest of our schedules which for me involves shooting a lot of weddings and other stuff, along with the day to day reality of running a business.
I’m probably going to regret admitting this, but I also want to be honest about the reality of being a third year full-time business owner. I work about 80 – 84 hours every week, except the 4 days off I will have for vacation this year. Yikes!
Yes, I do sometimes take a random day off or decide not to work, but I’m pretty much at full tilt most of the time while I’m building my business and hustling hard.
When I know I have a lot of editing to do I try to clear my schedule as much as I can to allow for uninterrupted editing time. The day-to-day things are still there such as my bookkeeping, answering emails, talking to new clients, doing venue visits, marketing, blogging, scheduling Instagram posts, working on branding, networking, client care and so on.
One funny thing to consider is that an amateur photographer may even get you the photos faster! They may simply download the few they took onto the computer, slap a quick preset or filter on them the next day, stick them on Dropbox and Bob’s yer uncle! (In fact, it probably was uncle Bob that took those photos.)
Although it seems comparable at first glance, avoid conflating the time it takes a guest to upload her ‘fancy camera’ snaps to a Facebook album, to the 4 weeks, 6 weeks, 3 months or whatever that your wedding photographer informs you that they will take. Here’s why.
We’re doing non-photography stuff and can’t edit around the clock
On the flipside, another photographer may have a 9-5 full-time job, kids, caring responsibilities, travel plans, or simply limit the time that they spend working/ editing for sanity reasons.
Many people pick up a camera because they are looking for a bit of supplemental income and there is absolutely nothing wrong with that. A lot are hugely talented and respected professionals that you may not even know actually do photography as their side hustle.
They won’t even mention to you or post anywhere online that they have a regular office job besides wedding photography.
I really feel for them, because they have to fit the same editing process into a much busier schedule. When do they sleep?!
Backlogs are baked into reality of photographing weddings
When the full force of wedding season is upon us, we will always run into a backlog. Why?
I take about 10 hours to edit a City Hall wedding, optimistically. I’m pretty efficient on the whole.
If I had a wedding two days before yours, the editing process won’t have even started by the time I shoot yours. And my goal is to be shooting two City Hall ceremonies every week, in addition to my other photography brand for regular Saturday weddings.
I’m pretty much never going to find those 10 hours between weddings to start editing before the next wedding comes up. So when I come home from yours, the next job on the docket is to edit the weddings previous to yours.
I want to be fair to all my clients so I don’t rush to edit my ‘favorite’ ones – everyone’s treated the same in the order the events took place.
We need to allow a contingency
OK so we’ve established it doesn’t take a solid 1 month of me working my skinny butt off to complete your wedding edits.
There are other things that take up a big portion of our time, on top of that backlog. So we have to allow longer than it might actually take.
I always want to exceed – no, smash expectations. Under promise, over deliver and all that jazz.
What I don’t want is to tell you that your images will take only 4 weeks, but in that time I was expecting to be quietly editing your wedding, I get booked for a bunch of last-minute weddings. Some of them involve a night away from home. I’m exhausted. Then I get sick and am laid up for 3 days. Then comes that weekend away with my husband that we’d booked months ago.
And all of this happens to be the week we finally find our new place and have to move, immediately!
Have I ever taken that a full month to deliver a gallery? No. Sometimes I get it done within 2 weeks. But I do ask that my clients understand that 2 months is the expected and agreed timeframe. I’ve never had a scenario like the one I described above happen… yet.
Photographers edit at a different pace
As you can imagine, most photographers get onto this career path because they love taking pictures, being at weddings and interacting with their fun clients.
I have never heard of anyone getting into wedding photography because they want more time quality locked in a dark room with Lightroom.
Therefore, if they are not super motivated to get ish done, they may procrastinate starting the editing. Think going through your 300 phone snaps from your vacay in Santorini is a daunting process? Try tackling 200GB of RAW files!
And then photographers do start, they may work slower or less efficiently because they’re refining their style or trying out 58 different presets before they settle on one they like. For every picture.
Outsourcing vs inhouse editing?
Typically once a photographer reaches a certain volume of bookings, it becomes unfeasible for them to cull/ edit all the work themselves. This is especially the case if they use Associate Photographers working for them so effectively their business can shoot multiple events on the same day.
There simply would not be enough hours in the day. So many higher end or high volume photographers are forced to outsource the post-processing work. Some may use an employee or independent contractor who can do this.
The editor can do just the culling (picking out the best images) or just the editing (putting the images into Lightroom and tweaking them) or both.
What does that mean for you? Well, it might not mean anything but the photographer is at the mercy of that editing company or contractor. If the editor make mistakes or there is a problem with transferring the files, the photographer has to step in and put things right and now there’s a delay.
There’s always an element of risk, and a trade-off involved when outsourcing work to other companies or foisting it on a junior employee/ contractor. But this isn’t generally something for clients to be concerned about.
I personally don’t outsource my editing at the current time, as I want the absolute best work for my clients, and it is an expense I do not want to pass on you.
No-one will work as hard as me getting my images just right, executing the creative vision I saw in my mind’s eye when I hit the shutter button.
However, with the insane hours I work solely on my business I do realize this is somewhat unsustainable!
There is an art involved. We’re not doing grunt work.
This is from the amazing blog of Anne Ruthmann, abundance strategist, Reiki master, writer, TedX speaker and former NYC wedding photographer.
Couldn’t have put it better myself, and kudos to Anne for her eloquence and artistic spirit which shines through beautifully here.
It’s a delicate balance – trying to be an artist and a business person at the same time. The artist mentally is quite obsessive and perfectionistic. The artist hates being bothered in the middle of being intensely focused because it can ruin a creative streak.
The artist wants to simply shut out the world around her so that she can enjoy every little creation as it’s being made. The artist works on something until it’s done, not until the timer has run out. The artist has a lot of pride in her work and would be horrified if it were to be out there unfinished.
Yet, we also have to be business people. We have to meet our clients’ needs and keep them happy, even if it doesn’t always give us the freedom to do what makes us happy. We have to set deadlines and meet them no matter what happens or else we lose our clients’ trust.
We have to answer emails and return phone calls in a timely manner so that our clients feel valued and respected.
As a business person, we WANT to do all of these things because we care about our clients, and because without our clients support, we wouldn’t be able to do what we do!! We love our clients and we want to give them the best of everything.
It’s just a delicate line we must walk every day, always trying to stay in balance – and sometimes we fall down, but we pick ourselves back up in the hopes that it is our accomplishments, not our failures, which will be the ultimate measure of our success.
Rest assured, it isn’t you! And it isn’t because the photographer lost the photos and is working up the courage to tell you.
From reading about this online, I gather that some marriers (brides, grooms and others) are understandably nervous when days, weeks and months go by and still no gallery link appears in their inbox.
They start to worry – what if our pictures were totally unusable? What if we did a bad job at posing and our photographer can’t work with the images? What if our photographer accidentally lost all our photos?
This never happens, at least not with a professional. We are used to working with every kind of couple and we know how to bring out the best in you.
We can work with any kind of lighting scenario because we are prepared for anything and will already know the unique challenges that your venue holds, as we’ll have had thorough communication beforehand.
We have multiple steps in place to make sure that we don’t accidentally lose your files, or forget to record them to our cameras in the first place! That is part of the reason you use a pro, not a ‘cousin who has a Nikon’.
One of the many reasons I send out sneak peeks (a sample preview of 20-30 images from your day) is so you can see that everything’s good. You look amazing. I’ve got the pics. The whole day was captured. Cheers!
I know you’re excited but it’s only a relatively short wait while I do the work you commissioned me for in the timescale you agreed to. I take that delivery date very seriously, that’s why I overestimate it. I absolutely do not want to let you down.
I personally would be very disappointed with myself if I couldn’t meet the deadline that I’d promised you – no matter what might be going on in my business or personal life. That isn’t your concern.
The biggest takeaway I can offer you here is:
Always ask your photographer ‘how long will it take for us to receive our finished wedding images?’
Ask that question before you agree on the arrangement. Get it in writing, and then ask them about it just to be sure.
Ask that question whether it’s a friend with a camera, a newbie photographer doing it for free, an established professional – anyone you’ve commissioned to take photos at your wedding.
If your photographer is saying a hard 3 months and you absolutely cannot wait that long, maybe that’s a deal breaker. Search for a different photographer that can do it quicker.
If your photographer doesn’t deliver by the date they said they would, reach out and politely ask them what’s happening. They may be stressed, sick, or dealing with something in their personal life. A responsible photographer should at least be able to tell you what’s going on if they haven’t been able to perform the services in the contracted timescale.
A true professional should be able to stick to their agreed-on delivery schedule as that was their end of the deal.
But… we’re human. Sometimes life throws a curveball. Intention doesn’t align with reality. Something comes up. Accidents and emergencies happen. We make mistakes. Just ask and we will let you know what’s going on.
Phew, this article was way longer than I intended it to be! Hope it’s helpful in helping to understand your wedding photographer’s process and why it takes the time it does for you to receive that shiny email with the link to your City Hall wedding gallery. I promise, it’ll be worth the wait!
Zoe Larkin is a San Francisco-based wedding photographer specializing in San Francisco City Hall weddings. Zoe creates images that evoke a range of emotions, combining documentary photography with a stylized edge. Her work has been published on A Practical Wedding, Offbeat Bride, Equally Wed and Catalyst Wed Co among others.